Paul Bower's Map!

Pocko artist Paul Bower has created a map of where he belongs for The Maps project!

Take a closer look and read about his map here.

Jeff Mermelstein shoots for Orange!

 

 

 

 

 

 

 

Just in time for the FIFA World Cup, Jeff's fly-on-the-wall vision of punters is beautifully captured in

this series of images for Orange, France - all of which and more can be seen on our website

Pocko artist Adam Hayes has just uploaded his brand new website. Have a look around www.mrahayes.co.uk to see all of his works including recent Pocko collaborations with Audi in Italy.

IC4DESIGN joins the POCKO Family!

We are delighted to welcome IC4DESIGN to the POCKO roster of illustrators! IC4DESIGN are a collective group of illustrators based in Hiroshima, Japan, founded by Hirofumi Kamigaki. Their intricate cityscapes have earned them a number of awards, such as: 200 Best Illustrators Worldwide 09/10, American Illustration 29, and 3x3 Professional Show No. 7. Commissions have also come from a host of international clients, including: Amtrak, The New York Times Magazine, Ogilvy Italy, Adobe Systems, Dentsu, Newsweek, HHMI, Die Weltowoche, Toyota, JA Bank, Tenjin Street and NTT Docomo. Exciting times ahead!

Pocko NEWS: Jeff Mermelstein - Orange, Adam Hayes/Paul Bower - Audi, New ...

Pocko NEWS: Jeff Mermelstein - Orange, Adam Hayes/Paul Bower - Audi, New ...

Draw Exhibition at Mexico City

Jorge Alderete at Draw exhibition in Mexico City

Draw is the largest contemporary drawing exhibition to emerge out of New York City. It is a must-see art exhibition featuring original drawings by more than 450 artists in ther illustration, grafitti, tattoo, literature, design, animation, skateboard, music, psychedelic art worlds. The show is a tribute to the often underrated but fundamental building block of visual and graphic art: the drawing.

Draw is curated by Erik Foss and Curse Mackey with guest curators like Miguel Calderon in Mexico City.

The exhibition include the participation of: Robert Crumb, Raymond Pettibon, HR Giger, Clive Barker, Robert Williams, Mark Ryden, Rick Griffin, David Byrne, Hank Williams III, Karen O, Ron English, Alejandro Magallanes, Daniel Guzman, Jessy Bulbo, Mauricio LImon, Miki Guadamur, Jose Luis Sanchez Rull, Dr. Alderete among many many others...

The exhibition will travel around the world the next 15 years, adding works by various authors from the places where the exhibition is displayed.

Below Jorge Alderete's colaboration for the show: "I See the future" Ink on paper 2010

Hennie in soup magazine!

Olaf Hajek - FLOWERHEAD

 

 

Olaf Hajek was born in North Germany and now resides in his homeland, London and

New York. His elegant, figurative, colourful, textural work holds a strong sense of character and fine art sensibility. Despite the diversity of his clientele, Hajek makes no aesthetic compromises. His characteristic style of “magic realism” is what makes his work appealing to a broad audience and range of clients. He exhibits regularly in galleries all over the world, and appears ubiquitously in the awards: American Illustration, Images, Communication Arts, D&AD. His client list includes: Architectural Digest, Bloomberg Inc., Financial Times, Flaunt, Food Illustrated, Forbes, Fortune, Gourmet, GQ, LA Times, The New Yorker, Pirelli, VW, Rolling Stone.

"Flowerhead" is Olaf Hajek’s first monograph. It presents an extensive collection of his commercial work as well as personal art that he created exclusively for the book.

 

 

 

Interview with myself

Who am I, where am I coming from?
I am a freelance illustrator and painter, born in the north of Germany but now living in

Berlin since 15 years. Already as a kid I loved drawing and visited oil paint and Body and Portrait classes as a young boy next to my school. After my high school I studied graphic design, but was sure not to become an art director sitting in front of a computer. My passion was to paint, so I moved to Amsterdam after my diploma at the FH Düsseldorf, and started my career as an illustrator. 

 

 

 

 

 

What is your style and which are your influences?
Victorian, turn-of-the-century and Surrealist aesthetics are strong influences, so are religious and folk art, African Barber Shop signs, or Art Brut. I love to combine all these influences with a sophisticated attitude and create my own aesthetics.

 

 

 

Do I prefer to be an illustrator or a painter?
I love to be an illustrator, I love the diversity of the assignments I get worldwide. It's a pleasure to work for so many different themes and clients but stay in my own style and ideas. On the other hand, I try to develop my own personal work and exhibit in group shows and solo shows in galleries more and more. The nice effect is that my personal

work is influencing my commercial work.

 

 

 

Gestalten Publishers published my first monograph. Is that a big step for me?
It's so funny.. I was so excited about the fact to get my own monograph and It was a big step in my career. But now I am looking for the next steps. I think it is wonderful to have

a book which contains commercial and personal work of the last 4 years. This was a very creative time and I created some amazing work, which now can be seen in the book. I just had a big exhibition at Gallery Johanssen in Berlin which shows some of the work which is included in the book and some completely now paintings. But the next step now will be to work for a gallery show in Cape Town, which hopefully will be open next spring.. this

will be an exiting next step.

 

 

 

 

What special techniques are involved when creating my work?
I am painting with acrylic on cardboard, wood or paper, but use a cutter for cutting out elements or work on the texture. I use pencils and sellotape and of course I have to

use my scanner to scan my illustrations and send to the client.

 

 

 

When and where do I get the best inspiration?I am definitely a morning person. I brew my coffee and then take my Dutch Gazelle bike, which is my personal Rolls Royce to get to my studio in Berlin Mitte. I like to be surrounded by personal stuff and books. My apartment and my studio are full of books, catalogues, magazines and stuff from my travel to Africa or my best finds from my favourite flea markets in New York. I love the gallery scene in Berlin and try to see as much art as possible, but I need a lot of light as well, so sometimes Berlin is a complicated spot for me. I try to leave Berlin in winter and escape to the light and soul of places like Cape Town or Miami.

 

 

 

Which is one of the most inspirational places for me?
I am travelling a lot of times to New York and the first thing I always try to visit is the American Folk Art Museum. This modern building has a great neighbour, the MOMA, and is filled with all the things I love.. the simple but impressive language of Bill Taylor, the amazing room dedicated to Henry Darger, whose work is a big inspiration or the quilts and sculpture of contemporary self taught artists.. These visits always make me happy and let me get my sketch book out!!!!

 

 

 

 

Where do I see myself in 5-10 years?
I have a long career as an Illustrator now and worked for amazing clients worldwide, but I hope to get more into the art world and hope that my work can stand on its own as fine art. I really try to achieve that my work dont need the context of a magazine or publication. It would be great if illustration is gaining more and more importance in the world of fine art.
So working with galleries is getting more important.

 

 

 

Am I influenced by fashion?
I love fashion and I love to work for fashion clients, but have my own idea about fashion illustration. I really love to illustrate more the inspiration of the fashion than just the dress

or accessories. My flowerheads have this idea of fashion, women with hair which looks

like a cornucopia full of beauty and flowers and life. The idea of another world behind the dress, the make up or the attitude.

 

 

 

See more of Olaf Hajek's work online, or to see his portfolio, drop us an email

Alderete Exhibition at San Jose, Costa Rica

Whititn a few days Jorge Alderete is going to San Jose, Costa Rica invited by the people of TEOR/éTICA to make an exhibition called "Alderete y al reves", to make a mural of the fecade of the place, and give an illustration workshop. If you are around plase go to say hello!

Interview with Eduardo Recife

Eduardo  Recife is an artist/illustrator, graphic designer, and typographer from Brazil. He is the man behind Misprinted Type, a well known website focusing on his personal works (collages and drawings) and his world wide famous typefaces.
Recife's clients include such notable media outlets as The New York Times, Entertainment Weekly, HBO, Showtime and several others.

Eduardo Recife lives and works in Belo Horizonte, Brazil.

  

Let’s talk about your personal history: how did you start your career?

I put the first version of my website (misprintedtype.com) online back in 1998. It was a

place to distribute my typefaces and also experiment with collages, drawings, etc… I started to work more and more with collage and developed my personal work. Things started to evolve and in 2002 I started to work full time as a freelance illustrator.

How did your passion for illustration, graphic design and typography come out?

I always loved to draw, since childhood. Later on when I was around 15, I really got into tagging and graffiti. I didn't get to do much in the streets, but it was my first love with type. Later on I found some people working with digital typefaces, in the 90's with the whole grunge scene happening at the time. I really identified myself with everything: the music, graphics and feel of it. So I started to experiment a lot in my collage/type work. It was a

time that I was so focused that lots of times I wouldn't go out with my friends on weekends to just experiment and do my personal works. I learned a lot from it, even though it was trial and error. I was very dedicated and even today I don't understand how I could produce so much at that time.

What do you like most between pencil, painting, photography and collage? Why?

I really love working with all of these. But lately I've been painting a lot, trying to depend less and less on the computer...

How would you describe yourself in a few words?

I’m just trying to do my best and I’m not specifically talking about my work, but as a person as well.

Your style recalls a vintage era: how did you choose to create this play between past and present?

I think vintage graphics are much more beautiful than what we have right now. I think everything was more poetic and well done. The magazine covers, the posters, prints… Seems like one had to be very talented to work on the field, since there wasn't a lot of computer help at that  time. Today things are much more mechanical and cold. Everything screams photoshop; the treated photos, the images, the type. I enjoy the handmade feel of vintage images and how they carry the traces of time... But I think that apart from this I probably was influenced by either artists from the early 1900's (dada) or from artists that were using vintage material in their collages.

You worked for many major US media such as the New York Times, Entertainment Week, HBO, Showtime: how did they discover you?

Most of the clients reach me straight from my website. But my work has been featured in lots of books and magazines worldwide.

What would you suggest to a young guy who wants to become an artist?

Practice, Practice and Practice (with love and determination)

 

What are you expecting from the future as an artist?

I want my work to keep evolving. Always. 

See more of Eduardo Recife's work online, or to see his portfolio, drop us an email

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